ALL WEEKEND: THE THREE CLAIRS (CARDINAL VERSION)
FRIDAY 6:00 PM // ARTIST TALK
Art Film Installation in the Grove
(30 minute artist talk on Friday — installation available to view all weekend)
“The Three Clairs (cardinal version)” is the latest offering from the sensory-driven, multi-media artist Bunny Nunn. The outdoor film experience is a visual poem that moves you through field and forest, consciousness and unconsciousness. An incantation. A mystery that transforms the everyday into the sacred.
FRIDAY 6:00 PM // ARTIST TALK
Art Film Installation in the Grove
(30 minute artist talk on Friday — installation available to view all weekend)
“The Three Clairs (cardinal version)” is the latest offering from the sensory-driven, multi-media artist Bunny Nunn. The outdoor film experience is a visual poem that moves you through field and forest, consciousness and unconsciousness. An incantation. A mystery that transforms the everyday into the sacred.
FRIDAY 6:00 PM // ARTIST TALK
Art Film Installation in the Grove
(30 minute artist talk on Friday — installation available to view all weekend)
“The Three Clairs (cardinal version)” is the latest offering from the sensory-driven, multi-media artist Bunny Nunn. The outdoor film experience is a visual poem that moves you through field and forest, consciousness and unconsciousness. An incantation. A mystery that transforms the everyday into the sacred.
Synopsis:
The Three Clairs documents a coven I stumbled upon in the summery forests of southern Finland.
Artist Statement:
This film is a visual poem, an incantation woven from seemingly random experiences that reveal their hidden connections. It explores the relationship between objects, landscapes, and gestures - each a vessel of spiritual mystery, each carrying the potential to transform the everyday into the sacred.
Time, in this work, is not linear but a guideline, a fluid thread dissolving and coagulating. Moving between field and forest - consciousness and unconsciousness - the film invites lucidity - as in the state of being filled with light - where presence and intention become ritual.
Inspired by Aradia: Gospel of the Witches, the film documents a coven I stumbled upon in the summery forests of southern Finland, each frame infused with gentle magic. Structured in suits aligned with the elements, the film functions as a grimoire, documenting a path of true will. I imagined the distortions of the footage are a manifestation of the coven’s magical field interfering with my JVC camcorder, as if it was an imprint of their presence, a visual residue of the spellwork that lingers within the film’s frames.
The ideal viewing experience is outdoors, in a circle, with tokens of each element placed at their cardinal directions, transforming the act of watching into an act of charging. Through eurythmy-inspired movement to build spiritual awareness, non-linear storytelling, and an intimate relationship with the objects that populate our lives, this film seeks to cast very specific intentions. Because, in the end, everything is a spell.
Bio & CV:
Bunny Nunn is a multimedia artist whose focus extends into time-based media and sensorial installation, exploring technological nostalgia and phosphoric magic. Through immersive experiences, she weaves together the past and present, the seen and unseen, inviting audiences into liminal spaces of reflection and transformation.